Initiation (Homemade Record, BN-84, Distributed by Fartblossom Enterprizes, 1985)There's no references to this band at all on the 'net but I do know they came to do a distribution deal with Bob Durkee's Fartblossom Enterprizes label in the mid-80s and despite his stint with Pillsbury Hardcore, Durkee had one of the good ears for bands in Southern California at the time - his own label having released Subculture, Ugly Americans and Dain Bramage. So maybe if Durkee isn't too pissed off still about my treatment of his Pillsbury Hardcore 7", he might pipe in and tell us some more about the band.
Far as I know, this mini-LP is all the band came out with - it's hard to search for anything with the words "Brave New World" and not run into millions of sites discussing the Huxley novel. Like Huxley's novel there's a strain of social criticism running throughout the record. The music is a hybrid garage punk-psyche (keyboards) and with occasional moshing hardcore guitars/drumming constructs. The song topics veer more towards hardcore and post-hardcore topics - anti-society ("Sitcom"), pro-self improvement ("Initiation") and probably other things I'm not getting because there's no lyric sheet and vocals are often indistinguishable from the din and racket of the effects pedals and guitar buzz. There some similarities here to Rites of Spring's LP that was released in the same time period - in songs like "I Care!" and especially "3 Days After Liberation" you can almost hear singer James Roebuck pulling his hair out and rending his shirt to shreds. One of the more obvious comparisons -- thanks to Roebuck's voice mostly - is to Public Image, Ltd - the album opener almost sounds like Lydon doing guest vocals. Elsewhere such as in "The Worker", Roebuck sounds more like Jello Biafra so maybe he's choosing vocal styles to fit the song - the worker being about his most political song here. I'm also reminded of Reptile House - listen to "Like Van Gogh" and I can't help but be reminded of weird viciousness "Keel-haul Love"...
Best tracks here are the title track and "3 Days After Liberation" but I'll put up all the tracks
My complaints about this aren't that many - it's a shame this band didn't get more attention or get a chance to "spread their wings" beyond this record. Mainly I will make the typical complaint of music from this period/genre - it could use better recording/engineering. Also, keyboards are sometimes ladled on a bit too thick such as in "Sitcom" where the organ dominates a song (is it just me or are these chords the same ones Dylan used in "One More Cup of Coffee"?).
Anyone know more about this band? What happened to them - was there more music recorded?
Liner notes:
Produced by Brave New World
Lyrics - James Roebuck
(p) and (c) 1985 Brave New Music
All Rights Reserved
Recorded & Mixed at Joint Session May 1985
Eng. by Max
with help from
THE GOD OF IMPERFECTION
Band Lineup:
- Vocals - Guitar - Ratiug(?) -- James Roebuck
- Guitar - Bass - Kirk Burnett
- Bass - keyboard - Tom Howard
- Drums - Wayne Brown
Side 1:
Side 2:
All music recorded directly from vinyl with pops and clicks mostly intact (I do a little editing and cleaning up). You may need to adjust sound levels up on these tracks.
